Posted by: kyle91 | April 3, 2008

Desire Under The Elms

In Eugene O’Neill’s playwright, Desire Under The Elms, Abbie and Eben are truly deeply in love.  It does show that Abbie wasn’t mentally stable when she murders her newborn child instead of the real man causing all the trouble.  Abbie had no reason to kill the baby.  She should have killed Ephraim if he was the one making her so unhappy. 

ABBIE–No! No! Not Him [Referring to have killed the baby instead of Ephraim as Eben thought]! (laughing distractedly) But that’s what I ought t’ done, hain’t it? I oughter killed him[Ephraim] instead!  Why didn’t ye tell me?

 Eben held his innocents yet turned himself in as well.  That’s true love.  To know that you’re innocent but take the wrap along with your love to be with her.

EBEN–(suddenly calls) I lied this mornin’, Jim. I helped her do it. Ye kin take me, too.

ABBIE–(brokenly) No!

They love each other so much, that even when someone does so awful a thing as killing a newborn child, they stay together. It’s not even staying together, but turning yourself in for something you didn’t even take part in just to be together in such a terrible place as jail.

Posted by: kyle91 | March 31, 2008

The Glass Menagerie

Tom had every reason to leave this family.  Although they did depend on him greatly, he was so unhappy, and his family was so fake.  His mother did nothing but dwell on his father’s decision to abandon the family, his sister has faked going to college and instead stays at home all day playing with her glass menagerie collection and playing old records.  He was being held down by this broken family.  He finally understood why his father left.  He wasn’t enjoying this hectic family.

Tom: Listen!  You think I’m crazy about the warehouse?  [He bends fiercly toward her slight figure.]  You think I’m in love with the Continental Shoemakers?  You think I want to spend fifty-five years down there in that- celotex interior? with-fluorecsent-tubes?  Look!  I’d rather somebody picked up a crowbar and battered out my brains-than go back mornings!  I go!  Every time you come in yelling that God-damned “Rise and Shine!” “Rise and Shine!”  I say to myself “how lucky dead people are!”  But I get up.  I go!  For sixty-five dollars a month I give up all that I dream of doing and being ever!  And you say self-self is all I ever think of.  Why, listen, if self is what I thought of, Mother, I’d be where he is- GONE!  [He points to his father's picture.]  As far as the system of transportation reaches!  [He starts past her.  She grabs his arm.]  Don’t grab at me, Mother!

He was unhappy.  He may regret it in the end, but would he have liked it if he had stayed.  It was a waste of life to say.  He would never be happy with what he had.  He knew why his father had left.  It was to escape the God-awful life he was living with this family.

TOM:  I didn’t go to the moon, I went much further-for time is the longest distance between two places.  Not long after that I was fired for writing a poem on the lid of a shoe-box.  I left Saint Louis.  I descended the steps of this fire escape for a last time and followed, from then on, in my father’s footsteps, attempting to find in motion that was lost in space.  I traveled around a great deal.  The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches.  I would have stopped, but i was pursued by something.  It always came upon me unawares, taking me altogether by surprise.  Perhaps it was a familiar bit of music.  Perhaps it was only a piece of transparent glass.  Perhaps I am walking along a street at night, in some strange city, before I have found companions.  I pass the lighted window of a shop where perfume is sold.  The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow.  Then all at once my sister touches my shoulder.  I turn around and look into her eyes.  Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be!  I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger-anything that can blow your candles out!

[Laura bends over the candles.]

For nowadays the world is lit by lightning!  Blow out your candles, Laura-and so goodbye….

[She blows the candles out.]

He wants to forget, but there’s always a reminder.

Posted by: kyle91 | March 3, 2008

A Street Car Named Desire

“A Street Car Named Desire” by Tennessee Williams is a story of a typical family in my eyes. Stanley is the dominant male of the family and believes that he is “king.” Stella is just the female who is to nothing but agree with her spouse and be by his side no matter what. This can be noticed when Stanley shows a great deal of domestic violence toward his wife, Stella, who after the ordeal is over, simply returns and thinks everything is OK. The sister-in-law is the problems source. Blanche, Stella’s sister, believes that the relationship is unsafe. She becomes a constant nuisance to the couple and is “rejected.” I personally think that Blanche is a completely insane and can’t stand her. The conclusion where Blanche is put in a Mental Institute as it seems, is well needed. I do understand that Stanley is not a good man but more of a “dog.” He was wrong in many ways including the rape of Blanche and the show of domestic violence. Though let me remind you that these “family issues” happen everyday whether we like it or not. I don’t agree with his actions, but these kind of things occur all the time. Blanche was already insane when she arived in New Orleans. Meeting Stanley just made her worse.

 Since I’ve been getting a lot of crap for the “typical family” incident, visit this website http://www.endabuse.org/resources/facts/. It’s about domestic violence.

Posted by: kyle91 | March 3, 2008

J. Alfred Proof that he is wierd!

This poem is amazing! He really tells the reader what he’s like but he’s kind of beating around the bush instead of telling us up front. He’s paranoid! He never knows what to do and is confused by the environment around him. “The yellow fog that rubs its back upon the window-panes,” shows that he is confused about life and doesn’t have an optimistic view on life. Instead of finding a one true love, he talks about “The muttering retreats Of restless nights in one-night cheap hotels [a.k.a. a one night stand].” “For I have known them all already, known them all:– Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?” He thinks that he has already accomplished life and that there is nothing more to do than to breathe. His life has already been measured out and he believes that this is all life has to give to him. The author, T.S. Eliot, repeats over and over that he has already known this, or known that. He’s trying to say he knows all that life is going to offer and he’s already done it all. “I grow old . . .I grow old . . . I shall wear the bottoms of my trousers rolled.” Eliot is saying that he’s old now and will stay as he is with his “trousers rolled.” All he has to worry about now is “Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach.” There is nothing more to do. He has lived his life to its potential and is just waiting for death.

Posted by: kyle91 | February 1, 2008

What my first post really means

This attribute gives me the opportunity to speak what’s actually on my mind(seeing how I can’t do it in class, Jeff).  There are so many things that I take out of these works of literature and I think that most of them are pretty interesting.  “The Love Letter of J. Alfred Prufrock” is one poem that I would definitely like to criticize.  This attribute allows me to give my own input on what I personally think the poem is about.

Posted by: kyle91 | January 31, 2008

My Favorite Part of Modernism

A turn to ‘open’ or ambiguous endings, again seen to be more representative of ‘reality’ — as opposed to ‘closed’ endings, in which matters are resolved.

-Some Attributes of Modernist Literature

see the whole page at:http://www.brocku.ca/english/courses/2F55/modernism.html

Categories